. International studio. lustrated article on Mr. Reisingerscollection will appear in next months issue, de-scribing the French, Dutch, Scandinavian and his own way, somewhat beyond their colleagues, other painters represented, including some picturesMr. Redfield has clearly found his true path. There by the Glasgow men. Among the bronzes arecan, however, be little (juarrel over men whose aims examples by Rodin, Falguicre, Mercie and others,arc at once so refreshingand so individual, and whoarc manifestly endeavoringto cast off all foreign and,more specifically, all (lallicins|)iration. That th
. International studio. lustrated article on Mr. Reisingerscollection will appear in next months issue, de-scribing the French, Dutch, Scandinavian and his own way, somewhat beyond their colleagues, other painters represented, including some picturesMr. Redfield has clearly found his true path. There by the Glasgow men. Among the bronzes arecan, however, be little (juarrel over men whose aims examples by Rodin, Falguicre, Mercie and others,arc at once so refreshingand so individual, and whoarc manifestly endeavoringto cast off all foreign and,more specifically, all (lallicins|)iration. That they havep().ssil)ly not done so withtiic same emphasis as havecertain of the later (Icr-mans should not be a mat-ter for wonder. At once more receptiveand more imitative tlianour Teutonic friends, wenaturally re(|uire more limeto achieve artistic auton-omv than thev. .And. too,there is muih in mir (omposition which is more di-rectly akin to the lYcnchthan to the (Jernian ternperament. With sm h menas Redlield and Winslou. BLACK FOREST LANDSCAPE HV HANS THOMA XXXVUI w William McTaggarl, ILLIAM McTAGGART^, PAINTER OF SEAAND LAND. BY ALEX-ANDER EDDINGTON. An intense and passionate love of nature isthe dominant characteristic of the Celtic tempera-ment. To the Anglo-Saxon certain aspects ofnature inspire dread or fear. In the old Celticliterature there is no sense of hostility betweenman and Nature in her wildest or gloomiest moods ;the Celt gloried in the great expanses of earth andsea and sky, was sensitive to every passing phase,easily stirred to emotional activity and respondedalike to the influences of storm and sunshine. Heloved Nature for herself, thinking not of what shemight produce for him in the way of utility. Hedelighted in the contemplation of the beautiful,and rose to the glories of the sublime. It is this pure innate love of nature that is theinspiring source of the work of Mr. is found in his early pictures, but becomes moreand more evident
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