Bodhisattva, probably Avalokiteshvara (Guanyin) ca. 550–560 China Large-scale sculptures of bodhisattvas wearing extraordinary jewelry epitomize stylistic and iconographic innovations in Chinese sculpture from the second half of the sixth century. The astonishing jeweled harness adorning this bodhisattva is made up of two long strands of pearl-like clusters and multifaceted beads. Some elements, such as the triangular pendants, have Chinese precedents. Others, such as the pearl cabochons, derive from Central Asian traditions. The appearance of such elaborately figural sculptures, which later b
Bodhisattva, probably Avalokiteshvara (Guanyin) ca. 550–560 China Large-scale sculptures of bodhisattvas wearing extraordinary jewelry epitomize stylistic and iconographic innovations in Chinese sculpture from the second half of the sixth century. The astonishing jeweled harness adorning this bodhisattva is made up of two long strands of pearl-like clusters and multifaceted beads. Some elements, such as the triangular pendants, have Chinese precedents. Others, such as the pearl cabochons, derive from Central Asian traditions. The appearance of such elaborately figural sculptures, which later became standard in Chinese Buddhist art, attests to a growing devotion to Avalokiteshvara in the second half of the sixth century. It is possible that the jewels refer to a passage in the Lotus Sutra in which the historical Buddha Shakyamuni and another bodhisattva extol Avalokiteshvara’s great compassion and presents him with a pearl necklace as a symbol of his benevolence. Listen to experts illuminate this artwork's story Listen Play or pause #119. Bodhisattva, probably Avalokiteshvara (Guanyin) Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as Bodhisattva, probably Avalokiteshvara (Guanyin) 42718
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