. Programme. l-schaft der Musikfreunde in Vienna performed all the music on Dec-ember 1, 1867. The orchestral parts of the ballet music were pubHshed in 1866, thescore in 1868; the orchestral parts of the entractes in 1866, the scorein 1867. Ballet No. 1. Allegro moderato, Andante un poco assai, B score calls for two flutes, two oboes, two clarinets, two bassoons,two horns, two trumpets, three trombones, kettledrums, and the usualstrings. The Entracte No. 2, B-flat major, Andantino, 2-4, comes after thethird act in the play. Two flutes, two oboes, two clarinets, two bas-soons, two ho
. Programme. l-schaft der Musikfreunde in Vienna performed all the music on Dec-ember 1, 1867. The orchestral parts of the ballet music were pubHshed in 1866, thescore in 1868; the orchestral parts of the entractes in 1866, the scorein 1867. Ballet No. 1. Allegro moderato, Andante un poco assai, B score calls for two flutes, two oboes, two clarinets, two bassoons,two horns, two trumpets, three trombones, kettledrums, and the usualstrings. The Entracte No. 2, B-flat major, Andantino, 2-4, comes after thethird act in the play. Two flutes, two oboes, two clarinets, two bas-soons, two horns, and the usual strings. The chief theme is known topianists as the theme of No. 3 of Four Impromptus, Op. 142, for thepianoforte. Schubert used it also in the Andante of his quartet in Aminor. Op. 29. This entracte, Hke a scherzo, in form, though not incharacter, has two trios. The melody is simply developed, and the BONDS OF THE HIGHEST GRADE HARRIS, FORBES & CO INCORPORATED 35 FEDERAL STREET, BOSTON. trios are minor variations on it, the first in G minor, the second in B-flat minor. The original melody is repeated between, and after, thetwo trios. The second trio appears among Schuberts songs, underthe title Der Leidende (B minor, words by Holty, 1816). Ballet No. 2. Andantino, G major, 2-4. Two flutes, two oboes,two clarinets, two bassoons, two horns, and the usual strings. Theballet begins with a Httle tune played piano by the strings. The secondsection is given to wood-wind and horns. The same idea is developedin G minor. A return to G major brings in a new figure for is a change to C major, 6-8. The Trio begins forte in the fullorchestra. Developed at some length, it makes way for the return ofthe first section. Overture, The Roman Carnival, Op. 9 . Hector Berlioz (Born at la Cote Saint-Andre, December 11, 1803; died at Paris, March 9, 1869.) Berliozs overture, Le Carnaval Romain, originally intended asan introduction to the second act of Benvenuto Cell
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