The International Studio /June 1915 . , etchers and art-loving public-are due tothe Bnntons, who have done so much to encourage art as practised by living AmericanetclHrs- W. H. DE B. X. las Heights in New York City. And now what waslong ago hoped for is almost incredibly in actualexistence. To be sure, it is many tens of timeslarger than the little stone-seated hill-top theatre,near the convent of St. Onofrio, where it is saidTasso used to come in his last davs to rest beneatha huge willow that Hung its afternoon shadowover the northernmost seats. Moreover, there isno high scr
The International Studio /June 1915 . , etchers and art-loving public-are due tothe Bnntons, who have done so much to encourage art as practised by living AmericanetclHrs- W. H. DE B. X. las Heights in New York City. And now what waslong ago hoped for is almost incredibly in actualexistence. To be sure, it is many tens of timeslarger than the little stone-seated hill-top theatre,near the convent of St. Onofrio, where it is saidTasso used to come in his last davs to rest beneatha huge willow that Hung its afternoon shadowover the northernmost seats. Moreover, there isno high screen of cedars at the rear to shut it awayfrom the street and give it an atmosphere of theacademic grove. In place of the stately and som-bre trees, it has been necessary to build a solidarchitectural frame as a setting and for shelter fromthe late afternoon summers sun and the noises ofa street-car avenue. But there is this resemblance:that as the miniature theatre of St. Onofrio looksover Rome, so this new-world hill-top theatre, in. ONE OF THE END PAVILIONS CXVII
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