. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. The Architectural Frame. Plate 261. 464 Plate 262. The Architectural Frame. The Architectural Frame, Mirror-Frame, &c. 465 Plate 262. The Architecturai. Frame, 1. German, 17th century, Stalls, Stiftskirche, Aschaffenburg, (Ge-werbehalle). 2. Italian, Renascence, (Formenschatz). 3. French, 1529, Lozenge panel, choir of Chartres cathedral,(Raguenet). 4. Renascence, by Enea Vico, (Formenschatz). 5. Italian, Renascence, Panel of the stalls, S. Gio

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. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. The Architectural Frame. Plate 261. 464 Plate 262. The Architectural Frame. The Architectural Frame, Mirror-Frame, &c. 465 Plate 262. The Architecturai. Frame, 1. German, 17th century, Stalls, Stiftskirche, Aschaffenburg, (Ge-werbehalle). 2. Italian, Renascence, (Formenschatz). 3. French, 1529, Lozenge panel, choir of Chartres cathedral,(Raguenet). 4. Renascence, by Enea Vico, (Formenschatz). 5. Italian, Renascence, Panel of the stalls, S. Giorgio maggiore,Venice. 6. German Renascence, Frame of small niche, Dagobert Tower,Baden-Baden. 7—8. Modern, French, Hotel Mirabaud, Paris, Architect Magne, (Raguenet).9. Modern, in the style of the German Modern, French, Paris, (Raguenet). The Mirror-Frame, &c. (Plates 263—264). The moveable Mirror-frames, which are designed and made tobe hung-up, might have been classed among the Furniture; but theyare more conveniently treated here. The Middle Ages framed Altar-pieces and the Pictures of the saints; but the universal use of framesbegins with the Renascence;

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectdecorationandornamen