Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga" 1794 Tōshūsai Sharaku Japanese Female roles in Kabuki theater were acted by oyama or onnagata, men who specialized in female impersonation. The skill and ambiguous dual status of such performers were a source of great fascination to the Kabuki audience. Here, for example, the clothing, coiffure, and gesture of the male actor epitomize those of a fashionable and beautiful woman. Indeed, in his imitation of a woman's gesture, the actor tugs at his garment with a sinuous feminine panache more exaggerated than real. Yet, reflec
Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga" 1794 Tōshūsai Sharaku Japanese Female roles in Kabuki theater were acted by oyama or onnagata, men who specialized in female impersonation. The skill and ambiguous dual status of such performers were a source of great fascination to the Kabuki audience. Here, for example, the clothing, coiffure, and gesture of the male actor epitomize those of a fashionable and beautiful woman. Indeed, in his imitation of a woman's gesture, the actor tugs at his garment with a sinuous feminine panache more exaggerated than real. Yet, reflecting the contradictory status of the actor, Sharaku has subtly confirmed the distinctively male squareness of Segawa Tomisaburō II's of the means by which Sharaku gave his portraits of Kabuki actors great force was the sharp contrast between the figure and the monochrome background. This monochrome consisted of a layer of deep indigo blue ink onto which silver mica dust was sprinkled. As this print demonstrates, the lush background set off the colors of the face and kimono to great Segawa Tomisaburō II as Yadorigi in the Play "Hana Ayame Bunroku Soga" 37366
Size: 2694px × 3915px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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