Pair of two-light candelabra ca. 1745–55 French In the eighteenth century, gilt bronze was used extensively for different types of lighting ranging from standing candlesticks and candelabra to hanging chandeliers, lanterns and wall lights. The chasing of the metal, punched and matted, or smooth and burnished, would have lend the objects vitality through the varying ways that the candlelight would be reflected off the differently finished surfaces. The arms of these candelabra, which were separately cast, whole-heartedly embrace the Rococo style with their scrolling branches, vegetal forms and

Pair of two-light candelabra ca. 1745–55 French In the eighteenth century, gilt bronze was used extensively for different types of lighting ranging from standing candlesticks and candelabra to hanging chandeliers, lanterns and wall lights. The chasing of the metal, punched and matted, or smooth and burnished, would have lend the objects vitality through the varying ways that the candlelight would be reflected off the differently finished surfaces. The arms of these candelabra, which were separately cast, whole-heartedly embrace the Rococo style with their scrolling branches, vegetal forms and leaf-like drip pans (bobeches). They are stamped with the crowned C, a tax mark that was in use between February 1745 and February 1749. These arms may not always have been associated with the spiraling stems of the candelabra which do not bear a similar tax mark and are in a transitional style. The pendant band of overlapping coin motifs became a fashionable motif during the neoclassical style, and for that reason it is likely that these stems were made a bit later than Pair of two-light candelabra 206789

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