. A short history of art . Q HO « oa,. r- o PC o (1, =4-( o o y, ?-. tfl H z y z c^ U ^^ :: :? H B 3 c/} Z > o O 0 4; O J:4 H -^ ^ ^ < u en o K ^^ a bb Q •< s tn r— ^ ci ::; o C a ^ ? __i FRENCH ROMANTIC SCHOOL OP^ PAINTING 519 from the latter, of whom he was a life-long student, werereinforced by two influences. One was the English Con-stable; the other the effects of a visit to the South andEast. G^ricault had written from England: It is here onlythat colour and effect are understood and felt. At theSalons of 1824 and three following years, Constable wasrepresented by The Hay Wain a
. A short history of art . Q HO « oa,. r- o PC o (1, =4-( o o y, ?-. tfl H z y z c^ U ^^ :: :? H B 3 c/} Z > o O 0 4; O J:4 H -^ ^ ^ < u en o K ^^ a bb Q •< s tn r— ^ ci ::; o C a ^ ? __i FRENCH ROMANTIC SCHOOL OP^ PAINTING 519 from the latter, of whom he was a life-long student, werereinforced by two influences. One was the English Con-stable; the other the effects of a visit to the South andEast. G^ricault had written from England: It is here onlythat colour and effect are understood and felt. At theSalons of 1824 and three following years, Constable wasrepresented by The Hay Wain and other observed how the English artist heightened theeffects of his greens by laying over the ground-colour strokesof a darker or lighter tone, or touches of complementarycolours. He was drawn, in fact, to the value of what is called broken colour. Then he visited Morocco and Algiers,returning home by way of Spain. He had seen colouringunder Southern sunshine, and the works of Titian and Velas-quez in the Pr
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
