Programme . cullar Parker Dress Suits. Made on the premises — forimmediate wear. $40 and $50400 WASHINGTON STREET VIOLAS and CELLOS of exquisite toneand splendid condition ITALIAN VIOLIN STRINGS SUPPLYCOMPANY 218 Tremont Street and 60Lagrange Street, Boston, Mass. Telephone. Oxford 4380 606 ftmryf. Wilier is not a result of chance, but is attained throughpatient endeavor to make something better,guided by knowledge and spurred by desire. The desire to build a better piano led Henry F. Millerto start in business in 1863; his knowledge, the fruitof experience, was his faithful guide, and the end
Programme . cullar Parker Dress Suits. Made on the premises — forimmediate wear. $40 and $50400 WASHINGTON STREET VIOLAS and CELLOS of exquisite toneand splendid condition ITALIAN VIOLIN STRINGS SUPPLYCOMPANY 218 Tremont Street and 60Lagrange Street, Boston, Mass. Telephone. Oxford 4380 606 ftmryf. Wilier is not a result of chance, but is attained throughpatient endeavor to make something better,guided by knowledge and spurred by desire. The desire to build a better piano led Henry F. Millerto start in business in 1863; his knowledge, the fruitof experience, was his faithful guide, and the endeavorof himself, his sons and grandsons has ever been toma\e only the best. The results of their policy have never been moreevident than in the Henry F. Miller Pianos ofto-day; supreme in quality as to TONE, superiorin quality as to STYLE, their reputation hasbeen built upon that most satisfactory quality:DURABILITY. They sound better, look better,wear better, be-they causemade WAREROOMS 395 Boylston St. 1. 607 statement. The dance^is a very old one; it was possibly known inancient Rome. Desrat looked upon it as a survival of Moorish dances,a remembrance of the voluptuous dances of antiquity. The Fandangoof the theatre differs from that of the city and the parlor: grace disap-pears to make room for gestures that are more or less decent, not tosay free, stamped with a triviality that is often shameless. Let usquote from Vuillier: Like an electric shock, the notes of the Fandangoanimate all hearts, says another writer. Men and women, youngand old, acknowledge the power of this air over the ears and soul ofevery Spaniard. The young men spring to their places, rattlingcastanets, or imitating their sound by snapping their fingers. Thegirls are remarkable for the willowy languor and lightness of theirmovements, the voluptuousness of their attitudes—beating the exact-est time with tapping heels. Partners tease and entreat and pursueeach other by turns. Suddenly the music stops, an
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
