. A history of art in ancient Egypt . Figs. 103, 104.—Funerary amulets. Oudja and ta. Louvre. necessity for continually rearranging their complicated head-dress,is still used by the Nubians and Abyssinians. 1 Upon the papyrus known as the Papyrus Casatt, mention is made of a priestwho is charged to watch over a whole collection of mummies. This is the list of bodies belonging to Osorvaris :— Imouth, son of Petenefhotep, his wife and children ; Medledk, the carpenter, his wife and children ; Pipee, his wife and children, from Hermouth ; The father of Phratreou, the fuller ; Aplou, the son of Pe
. A history of art in ancient Egypt . Figs. 103, 104.—Funerary amulets. Oudja and ta. Louvre. necessity for continually rearranging their complicated head-dress,is still used by the Nubians and Abyssinians. 1 Upon the papyrus known as the Papyrus Casatt, mention is made of a priestwho is charged to watch over a whole collection of mummies. This is the list of bodies belonging to Osorvaris :— Imouth, son of Petenefhotep, his wife and children ; Medledk, the carpenter, his wife and children ; Pipee, his wife and children, from Hermouth ; The father of Phratreou, the fuller ; Aplou, the son of Petenhefhotep the boatman, his wife and children, fromThebes ; Psenmouth, the carpenter, his wife and children ; Psenimonthis, the mason ; Amenoth, the cowherd. There are many more lists of the same kind. The above is cited from M. E. LeBlant [Tables cgypticnnes a Inscriptions grecques^ p. 6, 1875, 8vo.). i6o A History of Art in Ancient Egypt. But those who could procure even these sHght advantages werestill among the favourites of
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Keywords: ., bookcentury1800, bookdecade1880, bookpublisherlondo, bookyear1883
