. Drawing and painting self-taught . to realizethat the removal of model drawing from the course of studymeant the removal of the very foundation of the art course andwho, therefore, were glad to permit plenty of time for experi-ments with the Glass. 207. I am especially indebted to Mr. Arthur Webber,who until recently has been superintendent of the StonehamSchools. My present superintendent, Mr. Frederick Porter, ex-presses himself as follows: I am much impressed with the newmethod of teaching free-hand drawing which I have seen demon-strated in your classes. The ability of the pupil to corre
. Drawing and painting self-taught . to realizethat the removal of model drawing from the course of studymeant the removal of the very foundation of the art course andwho, therefore, were glad to permit plenty of time for experi-ments with the Glass. 207. I am especially indebted to Mr. Arthur Webber,who until recently has been superintendent of the StonehamSchools. My present superintendent, Mr. Frederick Porter, ex-presses himself as follows: I am much impressed with the newmethod of teaching free-hand drawing which I have seen demon-strated in your classes. The ability of the pupil to correct his ownerrors renders it invaluable and the results are so uniformly goodin both higher and lower grades that I feel convinced that some-time the Cross Glass must come to be recognized as the only GRADE V. FROM directly on paper without use of the Glass. The Glass is going to be an enor-mous help in making even the dullestsee. You have lightened the burden forall drawing teachers.—H. B. Warren,Harvard 11 It is the best aid to observation I haveseen, being direct, sensible and results from its use are remark-able.—C. Howard Walker, DirectorSchool of Design, Architect, Boston.
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectpainting, bookyear192
