Shipbreaking Yards of Alang. worker seems a wheel in the machine


Alang is the largest ship recycling yard in the world, a kilometres-long expanse of sites where gigantic carcasses of ships are waiting to be disassembled by hand-workers, who recycle parts and components. Here are employed about 40000 workers, as much as a medium town. It’s a dirty, dangerous, exhausting and deadly job. They climb on these metal giants that stay torn apart and half-cut into the sea. They handle oxyhydrogen flames throughout the day, the air is unbreathable and saturated of combustion gasses, of oils, lubricants and acid fumes, the air is pungent, stinging, it burns the eyes and the nose. Here as elsewhere the workers are poor labourers coming from agricultural areas even poorer than here, like Bihar, Assam, Orissa, West Bengal or the neighbouring Pakistan, they flee from hunger, do not have any formal training to deal with toxic materials, are willing to make this life for the equivalent of a few euros per day. For this little money they are daily exposed to arsenic, lead, contaminated by asbestos, all of which under deafening noise. India, Bangladesh, Pakistan, China and Turkey are the homes of the world’s shipbreaking facilities. Every year the shipping industry sends around 600 ships of all types to be dismantled on their beaches. Workers here are totally unqualified, having very little education and are thus easy to be exploited. Workers are being provided neither with the adequate training nor with the equipment to work in such a dangerous and toxic environment, although shipbreaking is considered by the International Labour Organisation as one of the heaviest and most hazardous occupations in the world. Their general living conditions after migrating to the yards are extremely bad. Every year thousands of workers are the victims of deadly accidents at the yards of India, Bangladesh and other shipbreaking countries. The working conditions are extremely bad and safety measures hardly exist.


Size: 3744px × 5616px
Photo credit: © Marco Palladino / Alamy / Afripics
License: Licensed
Model Released: No

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