Modern harmony, its explanation and application . sourdine STRAUSS,Don IMPRESSIONISTIC METHODS 125 With the ninth chords, the variety is still larger (seeExample 277). Examples 278 and 279 furnish us with a very-fine use of the form at a. It should be noted thatNinth whilst Franck founded his passage upwards fromthe bass, Ravel nearly always adopts the downwardmethod. This is a characteristic of the latter composer. Theforms at a and h have undoubtedly the greatest claim aspurely fomfere-creating devices. (a) ^ (b) (c) rf (d) (e) (f) ^^g (g) ^P= etc.

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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915