. Guide leaflet. \. The base for groundwork should be made strong and follow closely the finishedcontour. In this case the form was slatted to give the flowing form of drifted snow- 23 24 AMERICAN MUSEUM GUIDE LEAFLET tered over tliis loosely; or, if necessary to secure them, dip into a dilutedsolution of j>;lycerine and selj^tine before applying. The solution shouldbe of such consistency as to leave no gloss on the leaves when dry, yetretain sufficient adhesive quaUty to hold the leaves in place. The tieing-up o^ the foreground to the background and thesuccessful portrayal of the character
. Guide leaflet. \. The base for groundwork should be made strong and follow closely the finishedcontour. In this case the form was slatted to give the flowing form of drifted snow- 23 24 AMERICAN MUSEUM GUIDE LEAFLET tered over tliis loosely; or, if necessary to secure them, dip into a dilutedsolution of j>;lycerine and selj^tine before applying. The solution shouldbe of such consistency as to leave no gloss on the leaves when dry, yetretain sufficient adhesive quaUty to hold the leaves in place. The tieing-up o^ the foreground to the background and thesuccessful portrayal of the character of a setting are so greatly influencedby the placing of the horizon line in the painting, that it should be con-sidered along with the business of building the foreground. It should bekept in mind that we are building dimensional pictures. Size, char-acter, dimensions and placement of Groups are all factors in determiningthe placing of the horizon. Let the requirements and specifications of theindividual Group dete
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectnatural, bookyear1901
