The Morning After "He Greatly Daring Dined" 1843–47 Hill and Adamson British, Scottish In this cleverly staged scenario, Hill (seated) appears to be suffering the effects of a hangover. Holding the artist’s hand and fixing him with a disapproving look is his friend James Miller, a temperance reformer and professor of surgery at Edinburgh University. The Roman bust between them—by Hill’s friend John Stevens—seems to be turning away from the artist in disgust. The title of the photograph is apun based on the epitaph on Phaethon’s tomb from Ovid’s Metamorphoses: “Here Phaethon lies who in the sun
The Morning After "He Greatly Daring Dined" 1843–47 Hill and Adamson British, Scottish In this cleverly staged scenario, Hill (seated) appears to be suffering the effects of a hangover. Holding the artist’s hand and fixing him with a disapproving look is his friend James Miller, a temperance reformer and professor of surgery at Edinburgh University. The Roman bust between them—by Hill’s friend John Stevens—seems to be turning away from the artist in disgust. The title of the photograph is apun based on the epitaph on Phaethon’s tomb from Ovid’s Metamorphoses: “Here Phaethon lies who in the sun-god’s chariot fared. And though greatly he failed, more greatly he dared.” In Greek mythology, Zeus struck down Apollo’s son Phaethon after he lost control of his father’s chariot. Hill may have recognized himself in the doomed figure of Phaethon as he attempted to harness and control the power of the sun to create his The Morning After "He Greatly Daring Dined". David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland). 1843–47. Salted paper print from paper negative. Photographs
Size: 2524px × 3578px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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