The Fan Peddler, 1765, Attributed to Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)–1770, Japan, Color woodblock print, chuban, x cm (10 3/8 x 7 3/4 in.), The Complaint, and The Consolation, or, Night Thoughts, 1797, William Blake (English, 1757-1827), written by Edward Young (English, 1683-1765), printed by R. Noble (English, 18th century), published by R. Edwards (English, 18th century), England, Book with forty-three engravings in black on ivory wove paper, 433 × 340 × 22 mm, The Grave, a Poem, 1808, Luigi Schiavonetti (Italian, 1765-1810), after William Blake (English, 1757-1827


The Fan Peddler, 1765, Attributed to Suzuki Harunobu ?? ??, Japanese, 1725 (?)–1770, Japan, Color woodblock print, chuban, x cm (10 3/8 x 7 3/4 in.), The Complaint, and The Consolation, or, Night Thoughts, 1797, William Blake (English, 1757-1827), written by Edward Young (English, 1683-1765), printed by R. Noble (English, 18th century), published by R. Edwards (English, 18th century), England, Book with forty-three engravings in black on ivory wove paper, 433 × 340 × 22 mm, The Grave, a Poem, 1808, Luigi Schiavonetti (Italian, 1765-1810), after William Blake (English, 1757-1827), printed by T. Bensley (English, 19th century), published by Cromek (English, 19th century), Italy, Book with twelve etchings in black on ivory wove paper, 358 x 287 x 15 mm, Syntagma Arateorum, 1600, Jacques de Gheyn II (Dutch, 1565-1629), written by Hugo Grotius (Dutch, 1583-1645), published by Ex Officinâ Plantinianâ apud Christophorum Raphelengium (Dutch, 17th century), Netherlands, Book with engravings and woodcuts in black on cream laid paper, 237 x 170 x 31 mm, The Whole Kingdom of Candia (Il Regno Tutto di Candia), 1651, Marco Boschini, Italian, 1613-1678, Italy, Book with sixty-two etchings in black on cream laid paper, 284 x 210 x 22 mm


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Photo credit: © Artokoloro / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: , 1725, 1765, attributed, chuban, color, fan, harunobu, japan, japanese, peddler, print, suzuki, woodblock, –1770, 春信, 鈴木