. Harmony for ear, eye, and keyboard (first year). EAR-TRAINING Chord Color: Continue, as in Lessons 48 and 49. Harmonic: Short review problems as in last lesson. A good harmonization for do ti la so is I III IV I; and for so la ti do,I IV VIIe I- Here is a good harmonization of the major scale. Playit and listen to it in all of the major keys:—. I8 V I IV I6 IVviiS I - hi IV l6 n« I4 v7 I HARMONY FOR EAR, EYE, AND KEYBOARD 157 ASSIGNMENT Keyboard Work: Continue review of modulation by thedominant seventh chord. The following list con-tains all the distances we have had (up per. 5; per 4;maj.
. Harmony for ear, eye, and keyboard (first year). EAR-TRAINING Chord Color: Continue, as in Lessons 48 and 49. Harmonic: Short review problems as in last lesson. A good harmonization for do ti la so is I III IV I; and for so la ti do,I IV VIIe I- Here is a good harmonization of the major scale. Playit and listen to it in all of the major keys:—. I8 V I IV I6 IVviiS I - hi IV l6 n« I4 v7 I HARMONY FOR EAR, EYE, AND KEYBOARD 157 ASSIGNMENT Keyboard Work: Continue review of modulation by thedominant seventh chord. The following list con-tains all the distances we have had (up per. 5; per 4;maj. 2; maj. 3; etc.) A-E, b-e, D-e, C-e, C-F,BHF, a-F, g-F, a-C, a#-C#, B-g#. Written Work: Bring Summer Days completed as a piece insmall primary form, with a four-measure coda. Ifyou, or a friend, can play the violin, your piece shouldbe heard by the class. LESSON 54 Ear-TrainingReview The character and difficulty of this reviewmust be determined by the teacher. Kb d w k Emphasis may well be laid upon modula-Revie^ 0r ^on ^ tne dominant seventh to every re-lated key, and also upon harmonizing afolk-song at sight by playing the simple chords in theleft hand, as in Lesson 49. Written WorkReview A lesson should consist of the first threenumbers or of the last number (The Mes-sage of the Rose). Also bring in, from your practical music, one ill
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectharmony, bookyear1922
