. Programme . What is aTypical Bostonianf A prominent Western Newspaper has said,— A typical Bostonian is one who attends theFriday Afternoon Symphony Concerts, readsthe Saturday Evening Transcript and HAS A CHARGE ACCOUNT AT HOVEYS. accounts are a tremen(his store similar. These motives are named by William Foster Apthorp in the fol-lowing order:— I. The VoLsuNG-MoTivE (slow and solemn in horns and tubas,repeated by clarinets and bassoons). II. The Death-Motive (crashing C minor chords in brass,strings, and kettledrums, interspersed with running passages intriplets in the lower strings). III.

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. Programme . What is aTypical Bostonianf A prominent Western Newspaper has said,— A typical Bostonian is one who attends theFriday Afternoon Symphony Concerts, readsthe Saturday Evening Transcript and HAS A CHARGE ACCOUNT AT HOVEYS. accounts are a tremen(his store similar. These motives are named by William Foster Apthorp in the fol-lowing order:— I. The VoLsuNG-MoTivE (slow and solemn in horns and tubas,repeated by clarinets and bassoons). II. The Death-Motive (crashing C minor chords in brass,strings, and kettledrums, interspersed with running passages intriplets in the lower strings). III. The Motive of the Volsungs^ Heroism (slow and statelyin tubas and horns). IV. The Motive op Sympathy * (worked up in imitation inwoodwind and horns), merging soon into: V. The Love-Motive (in the oboe). (The bars under these last two motives is a further develop-ment of the Volsung-Motive, which is carried on for five measures. * Siegmund and SieglindeDie Walkiire. (Siegfrieds father and mother) in the first scene of

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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881