. The Muse [1917] . THE CONFIRMATION GROUP IN THE PARLOR The plate from which this photograph of the Confirmation Group is reproduced is furnished the Musethrough the courtesy of Mr. Marshall DeLancey Haywood. It is used in his book. The Bishops of NorthCarolina, where he says of the picture: About the year 1844, the Reverend Aldert Smedes, , Rector of Saint Marys School at Raleigh,engaged William Hart to paint a full length portrait of Bishop Ives. This portrait (which still hangs in theparlor at St. Marys) represents him in the act of administering the rite of confirmation to a class of

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. The Muse [1917] . THE CONFIRMATION GROUP IN THE PARLOR The plate from which this photograph of the Confirmation Group is reproduced is furnished the Musethrough the courtesy of Mr. Marshall DeLancey Haywood. It is used in his book. The Bishops of NorthCarolina, where he says of the picture: About the year 1844, the Reverend Aldert Smedes, , Rector of Saint Marys School at Raleigh,engaged William Hart to paint a full length portrait of Bishop Ives. This portrait (which still hangs in theparlor at St. Marys) represents him in the act of administering the rite of confirmation to a class of four girls. It will be remembered that it was Bishop Ives who first interested Dr. Smedes in founding St. Marys. This portrait has always been an object of special interest to St. Marys girls, and the question of whowere the originals of the girls painted in the group is an ever interesting subject of discussion now carried on inthe third generation.

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Size: 1407px × 1776px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bookcentury1900, bookdecade1910, bookidmuse191719st, bookyear1917