. Bulletin. Ethnology. 192 BUREAU OF AMERICAN- ETHNOLOGY [B0LL. 75 No. 109. Soni? around a rawhide (Catalogue No. 785) Recorded by Singer No. 2 Voice J =: 96 Beating on rawhide J - 96 Rhythm similar to No. 108 ^^j^^ p p Til u m \» m~vT'I \ r~i I I. Analysis.—In this song the fourth is raised a semitone. The song contains all the tones of the octave except the seventh and is har- monic in structure. The progressions number 44, somewhat more than the usual number in Ute songs. Only four of these intervals are larger than a minor third. The following is an example of an old dream song. As indicat
. Bulletin. Ethnology. 192 BUREAU OF AMERICAN- ETHNOLOGY [B0LL. 75 No. 109. Soni? around a rawhide (Catalogue No. 785) Recorded by Singer No. 2 Voice J =: 96 Beating on rawhide J - 96 Rhythm similar to No. 108 ^^j^^ p p Til u m \» m~vT'I \ r~i I I. Analysis.—In this song the fourth is raised a semitone. The song contains all the tones of the octave except the seventh and is har- monic in structure. The progressions number 44, somewhat more than the usual number in Ute songs. Only four of these intervals are larger than a minor third. The following is an example of an old dream song. As indicated in the songs of the Bear dance, it is not unusual for young men at the present time to "receive songs in ; (See p. 60.) This song, however, was recorded by Kanav (pi. 10, h), an aged man, who said that his uncle ''dreamed" it and that he used to sing it when he was alone. The words were not recorded, but were said to mean "We are playing along the ;. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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