Handbook of archaeology, Egyptian - Greek - Etruscan - Roman . 46 47 48 J-Jdhbinf PAINTED VASES. 249 English Nomenclature. 29 Scyphus. 30 Cantharus. 31 32 Scyphus. 33 Olpc. 34 , 36 Oenochoe. 38, 39, 40, 42 , 43 , 45 , 48 , 50 Aryballos. Italian Nomenclature. 29 Bicchiere. 30 Tazza con manichi orizzontali. 32 33 Urceolo. 34 35, 36 Lagrimale. 37 Prefericolo. 38 Prefericolo a Elton. 44 Unguentario. 46 Balsamario. 47 Unguentario. 49 Balsamario con manico. 250 HANDBOOK OF Cameo. Second
Handbook of archaeology, Egyptian - Greek - Etruscan - Roman . 46 47 48 J-Jdhbinf PAINTED VASES. 249 English Nomenclature. 29 Scyphus. 30 Cantharus. 31 32 Scyphus. 33 Olpc. 34 , 36 Oenochoe. 38, 39, 40, 42 , 43 , 45 , 48 , 50 Aryballos. Italian Nomenclature. 29 Bicchiere. 30 Tazza con manichi orizzontali. 32 33 Urceolo. 34 35, 36 Lagrimale. 37 Prefericolo. 38 Prefericolo a Elton. 44 Unguentario. 46 Balsamario. 47 Unguentario. 49 Balsamario con manico. 250 HANDBOOK OF Cameo. Second , OE ENGKAVED STONES. INTRODUCTION. The Art of engraving on precious stones and gems is styled gtyptic> an(i the description of these engraved stones which havecome down to us from ancient times, glyptograph}% from y\vcf>eiv, toengrave, and ypaeiv, to describe. Among those objects of ancient art which have reached usthrough the lapse of ages, engraved stones may be consideredamong the number of the most elegant and refined by their form,their lustre, and their use, the most precious from their materialand their workmanship, the most sought for from the facility withwhich they can be mixed with other ornaments, and set in con-nection with the most precious jewels. The luxury of the ancientsled them to adopt a style of workmanship which was agreeableto the most exquisite taste, whether it adorned diadems, collars,bracelets, earrings, waistbands, portions of dress, shoes, or evenvaluable pieces of furniture, or whether, set in a ring of g
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