. Antonio Allegri da Correggio, his life, his friends, and his time. A satyr. (Fresco in the Camera di San Paolo at Parma.) CHAPTER XII CORREGGIOS GREAT ALTAR-PIECES THE MADONNA WITH ST. SEEASTIAN — THE MADONNA WITH ST. JEROME — THEMADONNA DELLA SCODELLA—THE NATIVITY, KNOWN AS LA NOTTE THE MADONNA WITH ST. GEORGE. B ETWEEN i524and 1530,the years in which hewas working in the cathe-dral, Correggio also producedsome of the great altar-piecesnow in the Dresden and ParmaGalleries. It was, indeed, a periodno less prolific than glorious inhis ceuvre, when he seems to havehad but few distractions fro
. Antonio Allegri da Correggio, his life, his friends, and his time. A satyr. (Fresco in the Camera di San Paolo at Parma.) CHAPTER XII CORREGGIOS GREAT ALTAR-PIECES THE MADONNA WITH ST. SEEASTIAN — THE MADONNA WITH ST. JEROME — THEMADONNA DELLA SCODELLA—THE NATIVITY, KNOWN AS LA NOTTE THE MADONNA WITH ST. GEORGE. B ETWEEN i524and 1530,the years in which hewas working in the cathe-dral, Correggio also producedsome of the great altar-piecesnow in the Dresden and ParmaGalleries. It was, indeed, a periodno less prolific than glorious inhis ceuvre, when he seems to havehad but few distractions fromhis work. Personal details areconsequently somewhat scantythroughout these years. InFebruary, 1525, he was in Cor-reggio, where he appeared as witness to several legal documents, and N N putti. (Fresco in the Camera di San Paolo at Parma.) 274 ANTONIO DA CORREGGIO where he also addressed an appeal to the Podesta, soliciting theexamination of certain witnesses in his law-suit against In August of the same year he figures as one of theartists who made an examination of the church of Santa Maria dellaSteccata, a subsidence of the building having taken place, which hadcaused some alarm for its In 1527, the year when his uncle,Lorenzo Allegri, died, he returned to his native city, and at
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