History of mediæval art . the preva-lence of specifically Romanic features in the portal, capitals, diago-nal dentils, arched corbel-tables, etc.,—the dwarf gallery of the mainipse even pointing to the influences of Northern Italy {Fig. 205 a).more particularly national character is evident in the remains of>t. Honorat upon the Island of L6rins (Var). Unfortunately it islot possible to determine whether both divisions of the church, the 342 ARCHITECTURE OF THE ROMANIC EPOCH. one with round arches, the other with pointed vaults, are to beascribed to the eleventh century. In this structure th
History of mediæval art . the preva-lence of specifically Romanic features in the portal, capitals, diago-nal dentils, arched corbel-tables, etc.,—the dwarf gallery of the mainipse even pointing to the influences of Northern Italy {Fig. 205 a).more particularly national character is evident in the remains of>t. Honorat upon the Island of L6rins (Var). Unfortunately it islot possible to determine whether both divisions of the church, the 342 ARCHITECTURE OF THE ROMANIC EPOCH. one with round arches, the other with pointed vaults, are to beascribed to the eleventh century. In this structure the basilicalclerestory is given up, the three aisles being covered by one the round-arched part of the building {Fig. 205 b) the narrow sideaisles are covered with full barrel-vaults, while in the pointed-archeddivision bisected barrel-vaults appear in this position {Fig. 206 a).It is not known at what time this important deviation from the tra-ditional arrangement of the vaults was first made, but there appears.
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Keywords: ., bookcentury1800, bookdecade1890, bookpublishernewyorkharperbros
