Pomo Indian baskets and their makers . Ka-Cha— Akrow-pqints. IPMe /q] 34 POAfO IXDTAX A Chief of the Pomos. ors is never known by that name among the Pomos. Inevery tribe it is tsi-6t-sio, or zigzag. In its various modi-fications it is used very frequently by them. To squares orrhomboids, however arranged, they give the name bu-she-mi-aor deer-neck, the idea being the angle between the deershead and shoulders and neck; rather a fanciful idea, but onewhich seems to have taken deep root, for every tribe has it. Themark like a quarter note in music is the Pomos idea of a quailplume. In
Pomo Indian baskets and their makers . Ka-Cha— Akrow-pqints. IPMe /q] 34 POAfO IXDTAX A Chief of the Pomos. ors is never known by that name among the Pomos. Inevery tribe it is tsi-6t-sio, or zigzag. In its various modi-fications it is used very frequently by them. To squares orrhomboids, however arranged, they give the name bu-she-mi-aor deer-neck, the idea being the angle between the deershead and shoulders and neck; rather a fanciful idea, but onewhich seems to have taken deep root, for every tribe has it. Themark like a quarter note in music is the Pomos idea of a quailplume. In Ballo-kai Pomo thisis chi-kakh. It is most taste-fully used and in some of its adaptations is the prettiest of allAlternate checks of white and color in a circular design is POMO INDIAN BASKETS. 3S
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectindianb, bookyear1902
