The grand opera singers of to-day : an account of the leading operatic stars who have sung during recent years, together with a sketch of the chief operatic enterprises . was indignant and took immediate steps to stophim. Some excitement was caused by the engage-ment at the Manhattan Opera-House of a tenorsinger whose name was Carasa, and who wastherefore expected (apparently) to become arival of Caruso. He appeared at the Manhat-tan Opera-House in September, 1909, in thepreliminary season, and appeared to be a tenorof good promise, — young, good physique, andpossessing a manly voice. Gustav H
The grand opera singers of to-day : an account of the leading operatic stars who have sung during recent years, together with a sketch of the chief operatic enterprises . was indignant and took immediate steps to stophim. Some excitement was caused by the engage-ment at the Manhattan Opera-House of a tenorsinger whose name was Carasa, and who wastherefore expected (apparently) to become arival of Caruso. He appeared at the Manhat-tan Opera-House in September, 1909, in thepreliminary season, and appeared to be a tenorof good promise, — young, good physique, andpossessing a manly voice. Gustav Huberdeau has been in America sev-eral seasons and has built up a reputation as asatisfactory and reliable singer. He is notedfor his devil parts, for he sings Mephisto-feles in Faust, the Devil in Griselidis,Mephisto in The Damnation of Faust M(Berlioz), and-Satan in Cesar Francks ora-torio The Beatitudes, in addition to whichhe has ready for performance, Mefisto inBoitos opera Men stof ele. M. Huberdeau was born and educated inParis, a member of a military family. He sangas a boy in a church choir, and having goodmusical talent and no taste for a military life,. Photograph by — matzene — Chicago GUSTAV HUBERDEAU AS HIGH PRIEST IN SAMSON ET DALILA The Manhattan Opera-House 241 lie entered the Paris Conservatoire and de-voted four years to hard study. Having servedhis year in the army he graduated from theConservatoire and made his debut at the OperaComique in II Barbiere. Although he hassung in many opera-houses in France he re-mained for several years a member of the OperaComique. In New York he created the role of Orestesin Elektra. Orville Harold is a native of Indiana, wherehe was born on a farm, his mother was French,father English. He spent some of his earlyyears in Kansas, but returned eastward andwent to Indianapolis. He began to meet withsuccess in his musical efforts, and having anexcellent memory and being a quick study, hebecame a very useful singer. He accomp
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectopera, bookyear1912
