Swell, The Seat of Sir Robert Atkyns [1712] reissued 1768 Johannes Kip This print belongs to a set of views of Gloucestershire estates drawn and etched by Johannes Kip, who moved to England when William and Mary assumed the throne in 1688. He was one of several Dutch artists, printmakers and publishers who helped to establish a new tradition of English topographical printmaking. Kip’s bird’s-eye views describe the properties of gentry and minor nobles rather than princes and record the considerable expenditures that many landowners made in 1690s and early 1700s. Published after 1710, the print
Swell, The Seat of Sir Robert Atkyns [1712] reissued 1768 Johannes Kip This print belongs to a set of views of Gloucestershire estates drawn and etched by Johannes Kip, who moved to England when William and Mary assumed the throne in 1688. He was one of several Dutch artists, printmakers and publishers who helped to establish a new tradition of English topographical printmaking. Kip’s bird’s-eye views describe the properties of gentry and minor nobles rather than princes and record the considerable expenditures that many landowners made in 1690s and early 1700s. Published after 1710, the prints record details of houses, courtyards, and gardens often with long allées of trees extending out across the property. Many of these late Baroque enhancements would soon be swept by a rising taste for picturesque Swell, The Seat of Sir Robert Atkyns. No. 371: The Ancient and Present State of Gloucestershire, 2nd Johannes Kip (Dutch, Amsterdam before 1653–1721? London). [1712] reissued 1768. Hand-colored etching and engraving. Prints
Size: 3478px × 2811px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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