Admission is granted through application to the Office of Special Collections. Dates from Gustave Bourcard & James Goodfriend, Felix Buhot catalogue descriptif de son oeuvre grave (1979), p. 50, 55. Drawings and etching illustrating the following books: J. Barbey d'Aurevilly, L'Ensorcelee (edition A. Lemerre, 1878); J. Barbey d'Aurevilly, Le Chevalier Destouches (edition A. Lemerre, 1879); Le Diable amoureux de Cazotte (edition Quantin, 1878); J. Barbey d'Aurevilly, Une vieille maitresse (edition A. Lemerre, 1874); Alphonse Daudet, Lettres de mon moulin (edition A. Lemerre, 1879). Includes un
Admission is granted through application to the Office of Special Collections. Dates from Gustave Bourcard & James Goodfriend, Felix Buhot catalogue descriptif de son oeuvre grave (1979), p. 50, 55. Drawings and etching illustrating the following books: J. Barbey d'Aurevilly, L'Ensorcelee (edition A. Lemerre, 1878); J. Barbey d'Aurevilly, Le Chevalier Destouches (edition A. Lemerre, 1879); Le Diable amoureux de Cazotte (edition Quantin, 1878); J. Barbey d'Aurevilly, Une vieille maitresse (edition A. Lemerre, 1874); Alphonse Daudet, Lettres de mon moulin (edition A. Lemerre, 1879). Includes unpublished trial proofs and one counterproof (of B116). Illustrations are in multiple states; preliminary states frequently include elaborate remarques or marginal sketches, which Buhot called marges symphoniques. Forms part of Samuel Putnam Avery Collection. Gift of Samuel Putnam Avery, 1900. B116 was formerly in the collection of Frederick Keppel and is inscribed to him by the artist. Holdings checked in departmental copy of Gustave Bourcard & James Goodfriend, Felix Buhot catalogue descriptif de son oeuvre grave (1979) Avery Collection. Title devised by cataloger. Citation/Reference: 114.; L'idée du premier frontispiece pour L'Ensorcelée.
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