Untitled (Scene of Fontainbleau), c. 1853. Trained as a painter, Giroux was an active amateur photographer during the 1850s. His father manufactured equipment for Louis-Jacques-Mandé Daguerre, the inventor of the first photographic process, the daguerreotype. In this early example of his appealing landscape work, Giroux focused on a scene in the Forest of Fontainbleau, a favorite locale for 19th-century French artists. Inspired by the compositions of paintings and lithographs, he carefully framed an engaging, asymmetrical arrangement of rocks, trees, and a primitive pathway. This brillian
Untitled (Scene of Fontainbleau), c. 1853. Trained as a painter, Giroux was an active amateur photographer during the 1850s. His father manufactured equipment for Louis-Jacques-Mandé Daguerre, the inventor of the first photographic process, the daguerreotype. In this early example of his appealing landscape work, Giroux focused on a scene in the Forest of Fontainbleau, a favorite locale for 19th-century French artists. Inspired by the compositions of paintings and lithographs, he carefully framed an engaging, asymmetrical arrangement of rocks, trees, and a primitive pathway. This brilliantly lit wooded environment projects a feeling of peace and harmony, order and balance.
Size: 5000px × 4042px
Photo credit: © Heritage Art/Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: 1801-1879, 19th, andré, art, century, cleveland, france, french, giroux, heritage, museum, negative, paper, photograph, print, salted, waxed
