. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. bon ornament, as Typographical Tail-piece. Plate 297. Renascence Letters. 1. Roman Renascence alphabet, 1547, specimen-book of John ofYciar, Duiango, Biscaya. 2. Renascence alphabet, lower-case Roman letters, specimen-book ofWolfgang Fugger, Nuremberg, 1553, (Hrachowina). 3. Renascence initial, 1531. 4. Renascence initial, 1500, (Formenschatz). 5. Initial, 1534, Lucas Cranach the elder, (Formenschatz). 6. Renascence initial, Gedruckt Zu Augspurg Durch
. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. bon ornament, as Typographical Tail-piece. Plate 297. Renascence Letters. 1. Roman Renascence alphabet, 1547, specimen-book of John ofYciar, Duiango, Biscaya. 2. Renascence alphabet, lower-case Roman letters, specimen-book ofWolfgang Fugger, Nuremberg, 1553, (Hrachowina). 3. Renascence initial, 1531. 4. Renascence initial, 1500, (Formenschatz). 5. Initial, 1534, Lucas Cranach the elder, (Formenschatz). 6. Renascence initial, Gedruckt Zu Augspurg Durch Jost De Necker(Wessely). 7. Renascence initial, Italian, (Formenschatz). 8. Initial, 17 th century, Elzevir printing office, (Ysendyck) 9. Initial, 17th century, specimen-book of Paul Fiirst of Nuremberg,(Lart pour tous). 10. Initial, Barocco period, French, (Hrachowina). 11. Modern initial, by P. Koch. 12. Modern irHial, by Dir. C. Hammer. Plate 298. Roman Initials. 1. Renascence, 1537, (Hrachowina). 2. Renascence, 17th century, Plantin printing office, Antwerp,(Ysendyck). 3. Modern, —13. Modern, Paris. ORNAMENTAL LETTERS. 535. Old English Letters, &c. Plate 294. 536 ORNAMENTAL LETTEES.
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectdecorationandornamen
