. Keramic studio. > a. a. UJ Io U)O : I iL O Q JO0 nURAMlC STUDIO 231. OREGON GRAPES—JEANNE M. STEWART (Treatment page 230) 232 RlEkamic studio LESSON IN GOLD AND ONE COLOR FOR BEGINNERS Jessie M. Bard EITHER a flange plate or a plain coupe plate may be the plate in eight sections. The quickest resultscan be obtained by using a plate divider. Lay the plate facedown on the plate divider as near the center as possible, thensee that the edge of the plate is the same distance all aroundfrom the nearest circle on the divider, then with India ink anda fine outlining brush place
. Keramic studio. > a. a. UJ Io U)O : I iL O Q JO0 nURAMlC STUDIO 231. OREGON GRAPES—JEANNE M. STEWART (Treatment page 230) 232 RlEkamic studio LESSON IN GOLD AND ONE COLOR FOR BEGINNERS Jessie M. Bard EITHER a flange plate or a plain coupe plate may be the plate in eight sections. The quickest resultscan be obtained by using a plate divider. Lay the plate facedown on the plate divider as near the center as possible, thensee that the edge of the plate is the same distance all aroundfrom the nearest circle on the divider, then with India ink anda fine outlining brush place a fine mark on the plate whereverthe figure 8 appears on the divider. Be sure that the line is fine, for if you make a broad markyou would not know which side of the mark to use and thedifference of the width of a line will cause a good deal of troublein a close design. Now take up the plate and continue themarks on to the front of the plate. Find the center of the plateby taking a strip of paper about one-half inch wide and measurethe exact width of the plate, then fold t
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