John Deare. Venus and Cupid. 1789. England. Pen and black ink on cream laid paper John Deare, one of the finest British sculptors of the late 1700s, was also a superb draftsman. Venus and Cupid is a highly finished study for a relief sculpture of the same subject (now lost). Consistent with his profession, Deare’s drawing technique is characterized by severe linearity, minimal shading, and a frieze-like arrangement of figures, as though the whole were carved from a block of holds an outsize butterfly, an allusion to his wedding to Psyche. In Neoplatonic philosophy, the butterfly si
John Deare. Venus and Cupid. 1789. England. Pen and black ink on cream laid paper John Deare, one of the finest British sculptors of the late 1700s, was also a superb draftsman. Venus and Cupid is a highly finished study for a relief sculpture of the same subject (now lost). Consistent with his profession, Deare’s drawing technique is characterized by severe linearity, minimal shading, and a frieze-like arrangement of figures, as though the whole were carved from a block of holds an outsize butterfly, an allusion to his wedding to Psyche. In Neoplatonic philosophy, the butterfly signifies the immortality of the soul. Gazing intensely into Cupid’s eyes, Venus expresses maternal affection while at the same time registering an erotic charge.
Size: 3000px × 2730px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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