Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . ji**« £+ ^il^gJil i* *>.. >: . +.H.; A. .3192 Ijth Wesson. OX the SHAKE. 171 Si. The Shake is one of the most usual and heautiful graces in music, and the finished ex-ecution of it, does no small credit to the Player. §2. The Shake is indicated hy the character hr or /r~~ over the note, and it consists of twocontig-uous notes, at the distance of a
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . ji**« £+ ^il^gJil i* *>.. >: . +.H.; A. .3192 Ijth Wesson. OX the SHAKE. 171 Si. The Shake is one of the most usual and heautiful graces in music, and the finished ex-ecution of it, does no small credit to the Player. §2. The Shake is indicated hy the character hr or /r~~ over the note, and it consists of twocontig-uous notes, at the distance of a semitone or a tone from one another;namely, of theprincipal note as written^nd that adjacent note which lies at the distance of a tone or asemitone above it in the scale, which latter is called the accessary or auxiliary note. These two notes are struck alternately, and with the utmost possible rapidity and equality, andthis is continued as long- as the time of the principal note lasts. & Shakes.
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
