. The Victrola book of the opera : stories of one hundred and twenty operas with seven-hundred illustrations and descriptions of twelve-hundred Victor opera records . THE GATES OF HELL Of the many beautiful numbers in Glucks drama this lovely aria of mourning (bestknown by the Italian title Che faro senza Euridice) is the most is about to kill himself when Love appears and cries: Love: Hold, Orpheus! Eurydice! revive! Orpheus (despairingly): To embrace the fond youth What would you with me? Who dared so much for thee! Love: Orpheus: Thine anguish well doth prove My Eurydice! T
. The Victrola book of the opera : stories of one hundred and twenty operas with seven-hundred illustrations and descriptions of twelve-hundred Victor opera records . THE GATES OF HELL Of the many beautiful numbers in Glucks drama this lovely aria of mourning (bestknown by the Italian title Che faro senza Euridice) is the most is about to kill himself when Love appears and cries: Love: Hold, Orpheus! Eurydice! revive! Orpheus (despairingly): To embrace the fond youth What would you with me? Who dared so much for thee! Love: Orpheus: Thine anguish well doth prove My Eurydice! Thy constancy and truth. Eurydice (reviving) : Tis time that the trial be ended! My Orpheus! (They embrace.) (Curtain) MISCELLANEOUS ORFEO RECORDS Melodie (from Ballet Music) By Maud Powell, Violinist 64075 10-inch, $ (from Ballet Music) By Mischa Elman, Violinist 74459 12-inch, &*2P - (I EURYDICE RESTORED TO ORPHEUS ACT III 346. FROM THE PAI 1G BY BECK OTELLO AND DESDEMONA (Italian) OTELLO (Oh-fel-loh) (English) OTHELLO (O-thel-loh) OPERA IN FOUR ACTS Text by Arrigo Boito, after the drama of Shakespeare. Music by Giuseppe production February 5, 1887, at La Scala, Milan, with Tamagno as Otello. FirstLondon production May 18, 1889. First performance in English given by the Carl RosaOpera Company, at Manchester, 1893. First American production April 16, 1888, withCampanini as Otello. Some notable revivals occurred in 1894, with Tamagno and Maurel;in 1902, with Eames, Alvarez and Scotti; in 1908 at the Manhattan, with Melba, Zenatelloand Sammarco; and in 1910 at the Metropolitan Opera. Characters OTELLO, a Moor, general in the Venetian army Tenor IAGO, (Ee-ah-goh) his ensign Baritone CASSIO, (Cass-ee-oh) his lieutenant Tenor RODERIGO, (Roh-der-ee -goh) a Venetian gentleman Tenor LODOV1CO, {Loh-doh-oee-koh) ambassador of the Venetian Republic Bass MONTANO, predecessor of Othello in the government of Cy
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Keywords: ., bookcentury1900, bookdecade1910, bookidvictrol, booksubjectoperas
