Armorial dish: The story of King Anius 1532 Francesco Xanto Avelli da Rovigo Italian This plate formed part of one of the largest majolica services ever made, commissioned by Piero Maria Pucci (1467–1547), a member of a prominent Florentine family whose coat of arms features the head of a Black man in profile, a reference to their original surname, Saracini (meaning "Saracens"). Similar images had frequently appeared in European heraldry since the thirteenth century. Rooted in the subjugation of Muslims and peoples of Arab and African descent, this imagery often signified triumph in the Crusad
Armorial dish: The story of King Anius 1532 Francesco Xanto Avelli da Rovigo Italian This plate formed part of one of the largest majolica services ever made, commissioned by Piero Maria Pucci (1467–1547), a member of a prominent Florentine family whose coat of arms features the head of a Black man in profile, a reference to their original surname, Saracini (meaning "Saracens"). Similar images had frequently appeared in European heraldry since the thirteenth century. Rooted in the subjugation of Muslims and peoples of Arab and African descent, this imagery often signified triumph in the Crusades or involvement in the slave trade. Here, a white band tied around the man’s head is inscribed with three T’s, an acronym for the Pucci family motto: Tempore tempora tempera (Time alleviates all troubles). Thirty-seven pieces from the maiolica service survive (including four in the Lehman Collection: see also ; ; ), all painted in Urbino by the celebrated maiolica painter Francesco Xanto Avelli da Rovigo in 1532 and 1533. Some pieces were sent to Gubbio to be completed with luster decoration under Xanto’s plate depicts the story of King Anius’ daughters, who escaped imprisonment by Agamemnon when Dionysus turned them into Armorial dish: The story of King Anius 460201
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