Hara, Number 14, from the series Fifty-Three Stations of the T?kaid? Road (T?kaid? goj?san tsugi), also known as the Clerical Script T?kaid? (Reisho T?kaid?) 1847–52 Utagawa Hiroshige Japanese The view of Mount Fuji is virtually unobstructed from Hara (literally "field"). To emphasize the mountain's altitude, the top of the mountain is cut off by the frame in this print, while it was extended beyond the frame of the picture in the Hoeido T?kaid? Hara, Number 14, from the series Fifty-Three Stations of the T?kaid? Road (T?kaid? goj?san tsugi), also known as the Clerical Script T?kaid?
Hara, Number 14, from the series Fifty-Three Stations of the T?kaid? Road (T?kaid? goj?san tsugi), also known as the Clerical Script T?kaid? (Reisho T?kaid?) 1847–52 Utagawa Hiroshige Japanese The view of Mount Fuji is virtually unobstructed from Hara (literally "field"). To emphasize the mountain's altitude, the top of the mountain is cut off by the frame in this print, while it was extended beyond the frame of the picture in the Hoeido T?kaid? Hara, Number 14, from the series Fifty-Three Stations of the T?kaid? Road (T?kaid? goj?san tsugi), also known as the Clerical Script T?kaid? (Reisho T?kaid?). Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo)). Japan. 1847–52. Woodblock print. Edo period (1615–1868). Prints
Size: 1918px × 1209px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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