The early 1900s caption reads: "Peace Bringing Back Plenty. in the Louvre. It was shortly after her return from this journey into Flanders that Joseph Vernet decided to put down her name for election to the Royal Aacdemy. Her portrait of herself created such a sensation that her election became assured. She had to paint the usual formal tableau de reception, and chose Allegory, painting her “La Paix ramenant l”Abondance,” which, though a somewhat stilted affair such as Academies demand, is full of charm — and is still to be seen at the Louvre." Elisabeth Louise Vigee Le Brun (1755-1842), also


The early 1900s caption reads: "Peace Bringing Back Plenty. in the Louvre. It was shortly after her return from this journey into Flanders that Joseph Vernet decided to put down her name for election to the Royal Aacdemy. Her portrait of herself created such a sensation that her election became assured. She had to paint the usual formal tableau de reception, and chose Allegory, painting her “La Paix ramenant l”Abondance,” which, though a somewhat stilted affair such as Academies demand, is full of charm — and is still to be seen at the Louvre." Elisabeth Louise Vigee Le Brun (1755-1842), also known as Madame Le Brun, was a French portrait painter, especially of women, in the late 18th and early 19th centuries. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. She gained renown in particular for her self-portraits and depictions of courtly women, especially Queen Marie Antoinette.


Size: 4950px × 3778px
Photo credit: © Ivy Close Images / Alamy / Afripics
License: Royalty Free
Model Released: No

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