Symphonies and their meaning . i* t=A FT* innig, which was Schumanns own, althoughit in nowise touched his leaning towards musingthought. And here, too, is contrast with theearlier symphony. There was nothing innigabout primitive legends. Like most Andantes, this is of lyric sim-plicity. No profound depths are stirred, as inthe first movement; and no bold heights aregained. The first melody is merely followedin and out by another of equal simplicity, with hardly a change of tonal color: 328 SYMPHONIES AND THEIR MEANING Strings with accompanying Horns and Pp>——i. t^m

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