. International studio. -RIGH—WELCOME TO THE HERRING BOATS BY WILLIAM McTAGGART 89 PVilliam McTagf^art, fulness and freedom ofsymphonic beauty areexpressed with rare under-standing and fine sym-pathy. There is a con-vincing certainty in thequahty of the light andthe way in which it isaffected by different at-mospheric conditions andthe objects from which itis reflected. He is not astylist. Order and sym-metry occupy a subordi-nate place in his mind,and thus we seldom havehim approaching thatunity of reposeful beautythat distinguishes work byMathew Maris or the other hand, hisco
. International studio. -RIGH—WELCOME TO THE HERRING BOATS BY WILLIAM McTAGGART 89 PVilliam McTagf^art, fulness and freedom ofsymphonic beauty areexpressed with rare under-standing and fine sym-pathy. There is a con-vincing certainty in thequahty of the light andthe way in which it isaffected by different at-mospheric conditions andthe objects from which itis reflected. He is not astylist. Order and sym-metry occupy a subordi-nate place in his mind,and thus we seldom havehim approaching thatunity of reposeful beautythat distinguishes work byMathew Maris or the other hand, hiscolour effects are orches-eflfects. There is never a suggestion in his mature tral in their variety, richness and fulness of tone,work that it is other than a picture completed on In his composition chiaroscuro plays a small part,the spot, except in his supersensitive method of It is thus impossible to translate him into black-dating. It has no taint of the studio. Natures and-white without grievous loss. He composes in. DAWN HY WILLIAM MCTAGGART
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