. Catalogue of paintings, etchings, engravings and sculpture [electronic resource] \ . tchers of picturesque old London. 170 Castle St. Angelo, Rome. Etching. Proof with olive branch composition presents the familiar view ofthe ancient buildings across the Tiber. 171 Le Tapis Vert. Line engraving by W. Ridgway after a paint-ing of vast dimensions by Gustave Dore, by a guest of the club, 1894. The composition represents the gambling hallat Baden-Baden at the height of its fame with agathering of players and onlookers crowdedaround the long table. In the painting, it
. Catalogue of paintings, etchings, engravings and sculpture [electronic resource] \ . tchers of picturesque old London. 170 Castle St. Angelo, Rome. Etching. Proof with olive branch composition presents the familiar view ofthe ancient buildings across the Tiber. 171 Le Tapis Vert. Line engraving by W. Ridgway after a paint-ing of vast dimensions by Gustave Dore, by a guest of the club, 1894. The composition represents the gambling hallat Baden-Baden at the height of its fame with agathering of players and onlookers crowdedaround the long table. In the painting, it issaid, Dore* included the portraits of many wellknown personages in public life at the time. 172 Une Cause Celebre. Etching by J. G. Vibert after his water-colorin the Munger Collection of the Art Institute,Chicago, called The Trial of Perrot. Attachedto the etching is an autograph letter from theartist relating the story on which this amusingscene is founded. 173 Eugene Field. Etched portrait of the poet about half life size,by Henry Taylor, Jr. It bears the followinginscription:. Catalogue oj Engravings and Etchings 57 But if again that angel trainAnd golden head come back to meTo bear me to eternityMy watching will not be in first verse I ever wrote. 1878. EugeneField. 174 Joseph Medill. Etching by H. Taylor, Jr., of a portrait abouthalf life size, of the late publisher and editor ofthe Chicago Tribune. 175 In a Louisiana Bayou. By T. R. Manley, after an oil painting byJoseph Jefferson. Signed proof. Etching of ashallow stream winding its way between over-hanging trees and swamp growth. 176 A Breezy Day, Dordrecht. An original etching from nature by C. , an American painter-etcher. Through the medium of line and the etcherscraft, the artist has translated the stirring feelingin the atmosphere and brought the breezinessinto his treatment of the water, the shipping, andthe sky. 177 A Country Road. Original etching by Hamilton road is bordered by r
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Keywords: ., boo, bookcentury1900, bookdecade1900, booksubjectart, bookyear1907
