. Orchestration . 1 There are occasional exceptions, but the statement is generally true. 2It might perhaps be added and drawers of water from the eyes of theirunfortunate audiences. THE DOUBLE-BASS - - 4oo Rapid pianissimos in the bottom register with very little to coverthem up, EXAMPLE ma non troppo. cfeW «J Beethoven. 4th Cellos andBasses. PP sudden skips to their top octave. EXAMPLE ma non troppo. Beethoven. Choral Syr: Cellos, and — - 1 .• **^i W V-V ~-f — if ~ if Jfp and expressive phrases, such as those in Fidelio, which sound like theutterance of som

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. Orchestration . 1 There are occasional exceptions, but the statement is generally true. 2It might perhaps be added and drawers of water from the eyes of theirunfortunate audiences. THE DOUBLE-BASS - - 4oo Rapid pianissimos in the bottom register with very little to coverthem up, EXAMPLE ma non troppo. cfeW «J Beethoven. 4th Cellos andBasses. PP sudden skips to their top octave. EXAMPLE ma non troppo. Beethoven. Choral Syr: Cellos, and — - 1 .• **^i W V-V ~-f — if ~ if Jfp and expressive phrases, such as those in Fidelio, which sound like theutterance of some huge monster toiling underground, Double-Bassoon Basses EXAMPLE con moto. ~~3 Beethoven. Fidelio -

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