Eugenius prins van Savoye (1663-1736), Abraham Drentwett (I) (attributed to), c. 1718 - c. 1736 The prince is placed in profile to the left on a circular glass plate, inside a circular black wooden box. This is stated in gilded letters: & & I gene. The portrait is protected by a glass plate with a back glass painting in gold, with a circular recess for the portrait. The painting shows a warrior in full armor, sitting on and with weapon trophes; He points to the portrait with his staff. At the top a trumpet angel with a laurel wreath in hand. The whole is caught in
Eugenius prins van Savoye (1663-1736), Abraham Drentwett (I) (attributed to), c. 1718 - c. 1736 The prince is placed in profile to the left on a circular glass plate, inside a circular black wooden box. This is stated in gilded letters: & & I gene. The portrait is protected by a glass plate with a back glass painting in gold, with a circular recess for the portrait. The painting shows a warrior in full armor, sitting on and with weapon trophes; He points to the portrait with his staff. At the top a trumpet angel with a laurel wreath in hand. The whole is caught in a gilded wooden frame. Augsburg (possibly) wax. glass. wood (plant material) The prince is placed in profile to the left on a circular glass plate, inside a circular black wooden box. This is stated in gilded letters: & & I gene. The portrait is protected by a glass plate with a back glass painting in gold, with a circular recess for the portrait. The painting shows a warrior in full armor, sitting on and with weapon trophes; He points to the portrait with his staff. At the top a trumpet angel with a laurel wreath in hand. The whole is caught in a gilded wooden frame. Augsburg (possibly) wax. glass. wood (plant material)
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Photo credit: © piemags/rmn / Alamy / Afripics
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