. The Genesis of art-form : an essay in comparative easthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture . INTERIOR OF EXETER CATHEDRAL, pages 238, 241, 264. be noticed in the Window of the Alhambra, Fig. 74,page 225. Complication, as thus illustrated, is a methodas old as the time when Daedalus planned his labyrinth,. FIG. OF ST. HILAIRE, ROUEN, pages 124, 241. 238 THE GENESIS OF ART-FORM. Solomon his mysterious seal, and the Moors and buildersof Christian cathedrals their i
. The Genesis of art-form : an essay in comparative easthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture . INTERIOR OF EXETER CATHEDRAL, pages 238, 241, 264. be noticed in the Window of the Alhambra, Fig. 74,page 225. Complication, as thus illustrated, is a methodas old as the time when Daedalus planned his labyrinth,. FIG. OF ST. HILAIRE, ROUEN, pages 124, 241. 238 THE GENESIS OF ART-FORM. Solomon his mysterious seal, and the Moors and buildersof Christian cathedrals their interlaced ornaments, mosaics,and intersections of ribs and arches. See Figs. 69, page208, 79, page 236, and 96, page 290. The idea to be held in mind in connection with con-tiiuiity is that it is an element of luiity. So if in a fore-ground, for instance, there be a row or group of treesstretching backward interrupted by a plain, it is well if,farther back, the same line of direction be carried on, if
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