. The amateur's first book, or, The flute without a master : containing an analysis of the rudiments of music, arranged on an entirely new system in progressive lessons. 1234 1234 1234 1234 123 4 1234 DUDUDUDUDUDU 12 3 4D r. D U D U D IT D U D U D IT D, U D U D U D U OF TIME, AND THE MANNER OF BEATING TIME. All music is divided into equal parts, calld Measures, by lines drawn across the staff, calld Bars. In every piece of music-,all the measures are equal in time, one with another, whether they are filled with notes or rests. This is a general rule withoutany exceptions. Notwithstanding, even
. The amateur's first book, or, The flute without a master : containing an analysis of the rudiments of music, arranged on an entirely new system in progressive lessons. 1234 1234 1234 1234 123 4 1234 DUDUDUDUDUDU 12 3 4D r. D U D U D IT D U D U D IT D, U D U D U D U OF TIME, AND THE MANNER OF BEATING TIME. All music is divided into equal parts, calld Measures, by lines drawn across the staff, calld Bars. In every piece of music-,all the measures are equal in time, one with another, whether they are filled with notes or rests. This is a general rule withoutany exceptions. Notwithstanding, even should one strain of a piece of music close with a part of a measure, the next strainwill commence with the remaining part of the measure—the time will thus remain unbroken, and the beat will also correspond. Another general rule without any exception, is in beating time, viz: the foot must come down at the beginning of every mea-sure. There is no exception to these two rules, either in common, triple or compound time. As the hands are engaged, thefore part of the foot is employed to mark the time, (the heel always resting on the floor.) We shall speak now of beatingcommon time, and leave the other divisions of ti
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Keywords: ., bookcentury1800, bookdecade1840, bookidamateursfirs, bookyear1844
