. Art in France. KIO. 026.—DUBOIS,rili; SINGER. (The , Paris.) NATURALISM. HG. 927.—CARPEAIX. MODEL FOR THE GROLPOF FLORA. marble. The bronze isallowed to fix, and oc-casionally to give, a brutalemphasis to the fortuitousprints of thumb or sculpturetends more and more tolose the smooth eleganceand quiet amenity of theearlier art. In the woric ofseveral sculptors of origi-nal talent, Pierre Roche,Bareau, Bouchard,Landowski, Segoffin,and Roger Bloche, wesee that this attemptto render the aspect andemotions of modern man has by no means failed; we discer
. Art in France. KIO. 026.—DUBOIS,rili; SINGER. (The , Paris.) NATURALISM. HG. 927.—CARPEAIX. MODEL FOR THE GROLPOF FLORA. marble. The bronze isallowed to fix, and oc-casionally to give, a brutalemphasis to the fortuitousprints of thumb or sculpturetends more and more tolose the smooth eleganceand quiet amenity of theearlier art. In the woric ofseveral sculptors of origi-nal talent, Pierre Roche,Bareau, Bouchard,Landowski, Segoffin,and Roger Bloche, wesee that this attemptto render the aspect andemotions of modern man has by no means failed; we discern sensi-bility and passion in many somewhat unattractive groups. Someclever pupils of this school have attempted a compromise betweenelegant correctness and insistence on expressive contours. ThisImpressionism of sculpture, like that of painting, has transformedthe technique even of those who least approve it. In spite of its fertihty, modern sculpture shows a certain indecisionof vocation. What becomes of the population of statues whichappears annually at our exhibitions? Some go into our
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernew, booksubjectart
