. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. t. Antonio, Padua, (Meurer). 5. Modern, Vaudeville theatre, Paris, (Raguenet).6—9. Renascence, by Vredeman de Vries. The Lozenge Panel. (Plate 168.) The Lozenge in decorative art includes the Rhombus, and theSquare when one of its diagonals is vertical. The Lozenge is treatedeither as an upright panel, symmetrical to one axis (figs. 2, 4, and5); or the two diagonals are the axes of symmetry for a bi-axialpattern (figs. 1, and 3). In the former case, th
. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. t. Antonio, Padua, (Meurer). 5. Modern, Vaudeville theatre, Paris, (Raguenet).6—9. Renascence, by Vredeman de Vries. The Lozenge Panel. (Plate 168.) The Lozenge in decorative art includes the Rhombus, and theSquare when one of its diagonals is vertical. The Lozenge is treatedeither as an upright panel, symmetrical to one axis (figs. 2, 4, and5); or the two diagonals are the axes of symmetry for a bi-axialpattern (figs. 1, and 3). In the former case, the ornament consists oftwo; and in the latter case of four, similar parts. The Lozenge isnot often employed. Occasionally it finds a place as a panel inLattices, Doors, Dadoes, Ceilings, &c. Plate 168. The Lozenge Panel. 1. Door, Nordlingen church, 17 th century. 2—3. Grill, Townhall, Wtirzburg, German Renascence. 4—5. Modern decorative painting. Various Panels. (Plates 169—170.) Plate 169 and 170 give a number of incidental Panel-shapes,of which there is a great variety. The principle of decoration must ENCLOSED ORNAMENT. 273. Thp Lozenge Panel. Meyer, Handbook of Ornament. Plate 274 ENCLOSED ORNAMENT.
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