. The language of flowers: or, Floral emblems of thoughts, feelings, and sentiments ... Flower language. THE HONEYSUCKLE. her are passed the greater number of hours in infancy and childhood : in that time, under her influence and teaching, our character is formed,—some escape the effects of an injudicious mother's treatment; others throw off for a time the salutary- control of a wise and good mother's teaching,—but the ties of love are not broken ; they remain strong as ever though relaxed. Wordsworth writes of Emily, in " The White Doe of Rylstone: " Ere she hath reached yon rustic
. The language of flowers: or, Floral emblems of thoughts, feelings, and sentiments ... Flower language. THE HONEYSUCKLE. her are passed the greater number of hours in infancy and childhood : in that time, under her influence and teaching, our character is formed,—some escape the effects of an injudicious mother's treatment; others throw off for a time the salutary- control of a wise and good mother's teaching,—but the ties of love are not broken ; they remain strong as ever though relaxed. Wordsworth writes of Emily, in " The White Doe of Rylstone: " Ere she hath reached yon rustic shed, Hung with late-flowering Woodbine, spread Along the walls and overhead, The fragrance of the breathing flowers Revives a memory of those hours When here, in this remote alcove, A fondly anxious mother strove To teach her salutary fears And mysteries above her years.'' There are Bonds of Love, so called, which produce injurious effects to the young maiden. Mrs. Laurence, addressing Cupid, says: "Cruel boy! Woodbine all untwined, Wanders here forlorn and free; Emblem of the maiden's mind, Who has placed her trust in ; and for young men, they often work most disastrously. Hear Cowper: " So Love, that cUngs around the noblest minds. Forbids th' advancement of the soul he binds; "3. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Tyas, Robert, 1811-1879. London, New York, G. Routledge and sons
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Keywords: ., bookauthortyasrobe, bookcentury1800, bookdecade1860, bookyear1869
