. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . THE. THE CONTENTS. Contents of the Eirft Part. Page§ I f^F the Scale of Mufic i § 2 V-/ Of naming the Degrees of Sound 3§ 3 Concerning fc F/^sif- ^3;;/^ J Sharp 5 § 4 0/ Tuning the Degrees of Sound 6 § 5 Of Notes J their Names and Char aBers 104 5 0/^Z?^ Ancient Moods^ or Meafures ofNotes II §7 Of keeping Time 14 § 8 0/ driving a Note 19 § 9 Concerning odd ReBs 21 \ 10 Of TripJa-Time 23 § 11 Of Diminution 27 Contents of the Second Part. § I Of Counterpoint 29 § 2 Of Intervals 30 § 3 Of Concords .3^
. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . THE. THE CONTENTS. Contents of the Eirft Part. Page§ I f^F the Scale of Mufic i § 2 V-/ Of naming the Degrees of Sound 3§ 3 Concerning fc F/^sif- ^3;;/^ J Sharp 5 § 4 0/ Tuning the Degrees of Sound 6 § 5 Of Notes J their Names and Char aBers 104 5 0/^Z?^ Ancient Moods^ or Meafures ofNotes II §7 Of keeping Time 14 § 8 0/ driving a Note 19 § 9 Concerning odd ReBs 21 \ 10 Of TripJa-Time 23 § 11 Of Diminution 27 Contents of the Second Part. § I Of Counterpoint 29 § 2 Of Intervals 30 § 3 Of Concords .3^ § 4 P^ff^g^ ^f ^^^ Concords 32 § 5 Concerning the Kjy or Tone 34 I 6 0/ ^Z?^ Clofes or Cadences hhnging to theKfy^ 3^ § 7 /Zipw The CONTENTS. § 7 How to frame a Bafs 37 § 8 How to joyn a Trehle to a Bafs 38 § 9 Compfitio7i of three Parts 42 § 10 Cofnpofition of four Parts 44 § II How a jth and 6th may ft and together in Counterpoint 4-7 § 12 Compofttion in a Sharp Kjy 48 § 13 0/ Tranfitionj or Breaking a Note 51§ 14 Comfojition of y^ 6, and 7 Parts 53§ 15 0/ /^ie;<9 E^
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Keywords: ., bookcentury1700, bookdecade1730, bookidcompendiumor, bookyear1732
