. Bellini. e also paintedher portrait—this in sad and subdued remembrance ofthe days agone. The Venetian School of Art has been divided by Rus-kin into three parts: the first begins with Jacopo Bel-lini, and this part might be referred to as the buddingperiod. The second is the flowering period, and thepalm is carried by Gian Bellini. The period of ripe fruit—oer-ripe fruit, touched by the tint of death—is repre-sented by four men: Giorgione, Titian, Tintoretto andPaul Veronese. Beyond these four, Venetian Art hasnever gone, and although four hundred years haveelapsed since they laughed and sa
. Bellini. e also paintedher portrait—this in sad and subdued remembrance ofthe days agone. The Venetian School of Art has been divided by Rus-kin into three parts: the first begins with Jacopo Bel-lini, and this part might be referred to as the buddingperiod. The second is the flowering period, and thepalm is carried by Gian Bellini. The period of ripe fruit—oer-ripe fruit, touched by the tint of death—is repre-sented by four men: Giorgione, Titian, Tintoretto andPaul Veronese. Beyond these four, Venetian Art hasnever gone, and although four hundred years haveelapsed since they laughed and sang, enjoyed andworked, all we can do is to wonder and admire. Wecan imitate, but w^e cannot Bellini lived to be ninety-two, working to thelast, always a learner, always a teacher. His bestwork was done after his eightieth year. The cast-offshell of this great spirit was placed in the tomb withthat of his brother Gentile, who had passed outbut a few years before. Death did not divide 64 BELLINI
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Keywords: ., bookcentury1900, bookdecade1900, bookidbellini00hub, bookyear1902
