Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. 22 son foundation tone, and fullness to the voices of the lingual stopsbelonging to that fundamental division. The tone being deficientin harmonic upper partials of high pitch, and free from any of anassertive character, prevents its assuming the office of a timbre-creator, while it admits of its being freely used in registration as abody-builder. To be of maximum use, the stop should be placedunder control and rendered flexible and expressive. By affordingtones of
Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . Fig. 22 son foundation tone, and fullness to the voices of the lingual stopsbelonging to that fundamental division. The tone being deficientin harmonic upper partials of high pitch, and free from any of anassertive character, prevents its assuming the office of a timbre-creator, while it admits of its being freely used in registration as abody-builder. To be of maximum use, the stop should be placedunder control and rendered flexible and expressive. By affordingtones of different degrees of assertiveness, its value in registrationwith exposed stops will be greatly increased. In full effects it willlargely help in binding the various tonalities and the several pitchestogether, admitting of a free use of the compound harmonic-cor-roborating stops at their full tones. In the Second Pedal of the Organin the Cathedral of Ulm there is a Hohlflote of two feet of this stop, Locher remarks: As a particularly rarespecimen, I found this stop in Ulm Minister, as a 2 ft. pedal stop,
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectorganmu, bookyear1921
