. The stones of Venice; introductory chapters and local indices (printed separately) for the use of travellers while staying in Venice and Verona . iciently illustrated the formsof the Gothic bases in Plates X., XI., and XIII. of the firstvolume, so that I here note chiefly the Byzantine or Roman-esque ones, adding two Gothic forms for the sake of compari-son. The most characteristic examples, then, are collected inPlate V. opposite ; namely : 1, 2, 3, 4. In the upper gallery of apse of Murano. 5. Lower shafts of apse. Murano. 6. Casa Falier. 7. Small shafts of panels. Casa Farsetti. 8. Great
. The stones of Venice; introductory chapters and local indices (printed separately) for the use of travellers while staying in Venice and Verona . iciently illustrated the formsof the Gothic bases in Plates X., XI., and XIII. of the firstvolume, so that I here note chiefly the Byzantine or Roman-esque ones, adding two Gothic forms for the sake of compari-son. The most characteristic examples, then, are collected inPlate V. opposite ; namely : 1, 2, 3, 4. In the upper gallery of apse of Murano. 5. Lower shafts of apse. Murano. 6. Casa Falier. 7. Small shafts of panels. Casa Farsetti. 8. Great shafts and plinth. Casa Farsetti. 9. Great lower shafts. Fondaco de Ducal Palace, upper arcade. Plate V. 11. General late Gothic form. Vol. HL 12. Tomb of Dogaressa Vital Michele, in St. Markaatrium. 13. Upper arcade of Madonnetta House. 14. Eio-Foscari House. 15. Upper arcade. Terraced House. 16. 17, 18. Nave. , 20. Transepts. St. Marks. 21. Nave. St. Marks. 22. External pillars of northern portico. St. Marks. 23. 24. Clustered pillars of northern portico. St , 26. Clustered pillars of southern portico. APPENDIX. 227 Now, observe, first, the enormous difference in style betweenthe bases 1 to 5, and the rest in the upper row, that is to say,between the bases of Murano and the twelfth and thiiteenthcentury bases of Venice ; and, secondly, the difference betweenthe bases 16 to 20 and the rest in the lower row, that is to say,between the bases of Torcello (with those of St. Marks whichbelong to the nave, and which may therefore be supposed to bepart of the earlier church), and the later ones of the St. MarksFa9ade. Secondly : Note the fellowship between 5 and 6, one of theevidences of the early date of the Casa Falier. Thirdly: Observe the slurring of the upper roll into thecavetto, in 13, 14, and 15, and the consequent relationshipestablished between three most important buildings, the Rio-Foscari House, Terraced House, and Madonnetta House.
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